Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I 2018 Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread 16 double-sided quilt blocks; 48 x 48 x 4 inches each  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I
2018
Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread
16 double-sided quilt blocks; 48 x 48 x 4 inches each

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Image credit:  Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Image credit: Julia Martin

 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Image credit:  Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Image credit: Julia Martin

 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II 2018 Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread 24 double-sided quilt blocks; 48 x 48 x 4 inches each  Image credit:  Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II
2018
Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread
24 double-sided quilt blocks; 48 x 48 x 4 inches each

Image credit: Julia Martin

 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Image credit:  Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Image credit: Julia Martin

 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Shown with wall-based work by  Robert Taite   Image credit:  Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Shown with wall-based work by Robert Taite

Image credit: Julia Martin

 Installation detail,  Fits and Starts ,  Central Art Garage   Walking and falling 2017 Laundered and braided painting on muslin with canvas, hand-tied backing 48 x 54 inches  Image credit:  Julia Martin

Installation detail, Fits and Starts, Central Art Garage

Walking and falling
2017
Laundered and braided painting on muslin with canvas, hand-tied backing
48 x 54 inches

Image credit: Julia Martin

 Installation detail,  Fits and Starts ,  Central Art Garage   Effort (assorted) 2016 Ink and acrylic on muslin, poly-pellets, thread 30 pieces; 2 x 2 inches x various lengths up to 103 inches  Image credit:  Julia Martin

Installation detail, Fits and Starts, Central Art Garage

Effort (assorted)
2016
Ink and acrylic on muslin, poly-pellets, thread
30 pieces; 2 x 2 inches x various lengths up to 103 inches

Image credit: Julia Martin

 Performance record,  Fits and Starts ,  Central Art Garage   Effort 01 2017 A collaboration with  Laura Taler , as performed by  Laura Taler  on April 7, 2017  Image credit:  Julia Martin

Performance record, Fits and Starts, Central Art Garage

Effort 01
2017
A collaboration with Laura Taler, as performed by Laura Taler on April 7, 2017

Image credit: Julia Martin

 Installation view,  Fits and Starts   Peacemaker 2017 Laundered, quilted and stretched painting on muslin 60 x 36 x 2 inches  Effort 1, 2, 3 (yellow) 2016 Ink and acrylic on muslin, thread, poly-pellets Triptych; 2 x 2 x 61, 92 and 132 inches respectively  Image credit:  Julia Martin

Installation view, Fits and Starts

Peacemaker
2017
Laundered, quilted and stretched painting on muslin
60 x 36 x 2 inches

Effort 1, 2, 3 (yellow)
2016
Ink and acrylic on muslin, thread, poly-pellets
Triptych; 2 x 2 x 61, 92 and 132 inches respectively

Image credit: Julia Martin

 Installation detail,  Fits and Starts   Peacemaker  Effort 1, 2, 3 (yellow)  Image credit:  Julia Martin

Installation detail, Fits and Starts

Peacemaker

Effort 1, 2, 3 (yellow)

Image credit: Julia Martin

 Installation view,  Fits and Starts ,  Central Art Garage   The Other Side of the Face 2017 Double quilt; laundered and quilted painting on muslin 94 x 84 inches  Image credit:  Julia Martin

Installation view, Fits and Starts, Central Art Garage

The Other Side of the Face
2017
Double quilt; laundered and quilted painting on muslin
94 x 84 inches

Image credit: Julia Martin

 Installation detail,  Jessica Bell ,  Unit 17   Garden Variety 2017 Fabric remnant on quilted and stretched muslin, dressmaker pin 72 x 56 x 1 3/4 inches   Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Garden Variety
2017
Fabric remnant on quilted and stretched muslin, dressmaker pin
72 x 56 x 1 3/4 inches

Image credit: Pongsakorn Yananissorn

 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Commonwealth (pants) 2016 Hand-dyed discount clothing between stretched muslin 56 x 42 x 1 3/4 inches  Legwork 2017 Fabric remnant, thread, poly-pellets 20 x 26 x 3 inches  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Commonwealth (pants)
2016
Hand-dyed discount clothing between stretched muslin
56 x 42 x 1 3/4 inches

Legwork
2017
Fabric remnant, thread, poly-pellets
20 x 26 x 3 inches

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Commonwealth (v-neck, mock neck) 2016 Hand-dyed discount clothing between stretched muslin 32 x 32 x 3/4 inches  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Commonwealth (v-neck, mock neck)
2016
Hand-dyed discount clothing between stretched muslin
32 x 32 x 3/4 inches

Image credit: Pongsakorn Yananissorn

 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Seed Work 2017 Fabric remnant on quilted and stretched muslin 56 x 72 x 1 3/4 inches  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Seed Work
2017
Fabric remnant on quilted and stretched muslin
56 x 72 x 1 3/4 inches

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Seed Work  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Seed Work

Image credit: Pongsakorn Yananissorn

 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Lightness of heart and firmness of foot 2016 Yo-yo quilt: hand-dyed muslin thread; 43 x 80 inches Support: cotton gauze, cotton canvas, thread and inflatable dunnage bag; 48 x 84 inches x variable depth  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Lightness of heart and firmness of foot
2016
Yo-yo quilt: hand-dyed muslin thread; 43 x 80 inches
Support: cotton gauze, cotton canvas, thread and inflatable dunnage bag; 48 x 84 inches x variable depth

Image credit: Pongsakorn Yananissorn

 Installation detail,  Jessica Bell ,  Unit 17   Softlines (landscape)** 2016 79 pairs of hand-dyed men’s, women’s and children’s dollar store socks, 1 vacuum seal storage bag Size varies; to be packed and resealed as required **second iteration  Image credit:  Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Softlines (landscape)**
2016
79 pairs of hand-dyed men’s, women’s and children’s dollar store socks, 1 vacuum seal storage bag
Size varies; to be packed and resealed as required
**second iteration

Image credit: Pongsakorn Yananissorn

 Installation view,  All things being equal. ,  Ottawa Art Gallery   Calendar Piece 2015 Canvas, thread, grommets, seven inflatable poly-woven dunnage bags, common nails 45 x 195 inches x variable depth  Folly (pressure)  2015 Ink and graphite on canvas, thread, Velcro, inflatable poly-woven dunnage bag 48 x 48 inches x variable depth  Painting of a plinth 2015 Ink on canvas, thread, Velcro, inflatable poly-woven dunnage bag 30 x 36 x 18 inches

Installation view, All things being equal., Ottawa Art Gallery

Calendar Piece
2015
Canvas, thread, grommets, seven inflatable poly-woven dunnage bags, common nails
45 x 195 inches x variable depth

Folly (pressure)
2015
Ink and graphite on canvas, thread, Velcro, inflatable poly-woven dunnage bag
48 x 48 inches x variable depth

Painting of a plinth
2015
Ink on canvas, thread, Velcro, inflatable poly-woven dunnage bag
30 x 36 x 18 inches

 Installation view,  All things being equal. ,  Ottawa Art Gallery   Installation of assorted follies: inflated, rolled, heaped, hung and fixed in plaster   Life and times (series) 2015 Five framed inkjet prints on paper 30 x 20 x 2 inches each

Installation view, All things being equal., Ottawa Art Gallery

Installation of assorted follies: inflated, rolled, heaped, hung and fixed in plaster

Life and times (series)
2015
Five framed inkjet prints on paper
30 x 20 x 2 inches each

 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (premonition)

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (premonition)

 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (Babel)

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (Babel)

 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (Sisyphus)

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (Sisyphus)

 Document for  Adding Softly, Hardly Subtracting ,  AXENÉO7
 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I 2018 Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread 16 double-sided quilt blocks; 48 x 48 x 4 inches each  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin
 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin
 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Image credit:  Julia Martin
 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the rain  40 Days and 40 Nights (Making the bed), Part I  Image credit:  Julia Martin
 Document for  Adding Softly, Hardly Subtracting ,  AXENÉO7
 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II 2018 Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread 24 double-sided quilt blocks; 48 x 48 x 4 inches each  Image credit:  Julia Martin
 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Shown with wall-based works by  Robert Taite   Image credit:  Julia Martin
 Installation detail,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Image credit:  Julia Martin
 Installation view,  Adding Softly, Hardly Subtracting ,  AXENÉO7   Quilt for the sun 40 Days and 40 Nights (Making the bed), Part II  Shown with wall-based work by  Robert Taite   Image credit:  Julia Martin
 Installation detail,  Fits and Starts ,  Central Art Garage   Walking and falling 2017 Laundered and braided painting on muslin with canvas, hand-tied backing 48 x 54 inches  Image credit:  Julia Martin
 Installation detail,  Fits and Starts ,  Central Art Garage   Effort (assorted) 2016 Ink and acrylic on muslin, poly-pellets, thread 30 pieces; 2 x 2 inches x various lengths up to 103 inches  Image credit:  Julia Martin
 Performance record,  Fits and Starts ,  Central Art Garage   Effort 01 2017 A collaboration with  Laura Taler , as performed by  Laura Taler  on April 7, 2017  Image credit:  Julia Martin
 Installation view,  Fits and Starts   Peacemaker 2017 Laundered, quilted and stretched painting on muslin 60 x 36 x 2 inches  Effort 1, 2, 3 (yellow) 2016 Ink and acrylic on muslin, thread, poly-pellets Triptych; 2 x 2 x 61, 92 and 132 inches respectively  Image credit:  Julia Martin
 Installation detail,  Fits and Starts   Peacemaker  Effort 1, 2, 3 (yellow)  Image credit:  Julia Martin
 Installation view,  Fits and Starts ,  Central Art Garage   The Other Side of the Face 2017 Double quilt; laundered and quilted painting on muslin 94 x 84 inches  Image credit:  Julia Martin
 Installation detail,  Jessica Bell ,  Unit 17   Garden Variety 2017 Fabric remnant on quilted and stretched muslin, dressmaker pin 72 x 56 x 1 3/4 inches   Image credit:  Pongsakorn Yananissorn
 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Commonwealth (pants) 2016 Hand-dyed discount clothing between stretched muslin 56 x 42 x 1 3/4 inches  Legwork 2017 Fabric remnant, thread, poly-pellets 20 x 26 x 3 inches  Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Commonwealth (v-neck, mock neck) 2016 Hand-dyed discount clothing between stretched muslin 32 x 32 x 3/4 inches  Image credit:  Pongsakorn Yananissorn
 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Seed Work 2017 Fabric remnant on quilted and stretched muslin 56 x 72 x 1 3/4 inches  Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Seed Work  Image credit:  Pongsakorn Yananissorn
 Installation view,  Jessica Bell ,  Unit 17   Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Lightness of heart and firmness of foot 2016 Yo-yo quilt: hand-dyed muslin thread; 43 x 80 inches Support: cotton gauze, cotton canvas, thread and inflatable dunnage bag; 48 x 84 inches x variable depth  Image credit:  Pongsakorn Yananissorn
 Installation detail,  Jessica Bell ,  Unit 17   Softlines (landscape)** 2016 79 pairs of hand-dyed men’s, women’s and children’s dollar store socks, 1 vacuum seal storage bag Size varies; to be packed and resealed as required **second iteration  Image credit:  Pongsakorn Yananissorn
 Installation view,  All things being equal. ,  Ottawa Art Gallery   Calendar Piece 2015 Canvas, thread, grommets, seven inflatable poly-woven dunnage bags, common nails 45 x 195 inches x variable depth  Folly (pressure)  2015 Ink and graphite on canvas, thread, Velcro, inflatable poly-woven dunnage bag 48 x 48 inches x variable depth  Painting of a plinth 2015 Ink on canvas, thread, Velcro, inflatable poly-woven dunnage bag 30 x 36 x 18 inches
 Installation view,  All things being equal. ,  Ottawa Art Gallery   Installation of assorted follies: inflated, rolled, heaped, hung and fixed in plaster   Life and times (series) 2015 Five framed inkjet prints on paper 30 x 20 x 2 inches each
 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (premonition)
 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (Babel)
 Installation detail,  All things being equal. ,  Ottawa Art Gallery   Life and times (Sisyphus)

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I
2018
Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread
16 double-sided quilt blocks; 48 x 48 x 4 inches each

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Image credit: Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the rain
40 Days and 40 Nights (Making the bed), Part I

Image credit: Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II
2018
Hand-dyed and hand-painted muslin, polyester quilt batting, invisible zippers and thread
24 double-sided quilt blocks; 48 x 48 x 4 inches each

Image credit: Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Shown with wall-based works by Robert Taite

Image credit: Julia Martin

Installation detail, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Image credit: Julia Martin

Installation view, Adding Softly, Hardly Subtracting, AXENÉO7

Quilt for the sun
40 Days and 40 Nights (Making the bed), Part II

Shown with wall-based work by Robert Taite

Image credit: Julia Martin

Installation detail, Fits and Starts, Central Art Garage

Walking and falling
2017
Laundered and braided painting on muslin with canvas, hand-tied backing
48 x 54 inches

Image credit: Julia Martin

Installation detail, Fits and Starts, Central Art Garage

Effort (assorted)
2016
Ink and acrylic on muslin, poly-pellets, thread
30 pieces; 2 x 2 inches x various lengths up to 103 inches

Image credit: Julia Martin

Performance record, Fits and Starts, Central Art Garage

Effort 01
2017
A collaboration with Laura Taler, as performed by Laura Taler on April 7, 2017

Image credit: Julia Martin

Installation view, Fits and Starts

Peacemaker
2017
Laundered, quilted and stretched painting on muslin
60 x 36 x 2 inches

Effort 1, 2, 3 (yellow)
2016
Ink and acrylic on muslin, thread, poly-pellets
Triptych; 2 x 2 x 61, 92 and 132 inches respectively

Image credit: Julia Martin

Installation detail, Fits and Starts

Peacemaker

Effort 1, 2, 3 (yellow)

Image credit: Julia Martin

Installation view, Fits and Starts, Central Art Garage

The Other Side of the Face
2017
Double quilt; laundered and quilted painting on muslin
94 x 84 inches

Image credit: Julia Martin

Installation detail, Jessica Bell, Unit 17

Garden Variety
2017
Fabric remnant on quilted and stretched muslin, dressmaker pin
72 x 56 x 1 3/4 inches

Image credit: Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Commonwealth (pants)
2016
Hand-dyed discount clothing between stretched muslin
56 x 42 x 1 3/4 inches

Legwork
2017
Fabric remnant, thread, poly-pellets
20 x 26 x 3 inches

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Commonwealth (v-neck, mock neck)
2016
Hand-dyed discount clothing between stretched muslin
32 x 32 x 3/4 inches

Image credit: Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Seed Work
2017
Fabric remnant on quilted and stretched muslin
56 x 72 x 1 3/4 inches

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Seed Work

Image credit: Pongsakorn Yananissorn

Installation view, Jessica Bell, Unit 17

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Lightness of heart and firmness of foot
2016
Yo-yo quilt: hand-dyed muslin thread; 43 x 80 inches
Support: cotton gauze, cotton canvas, thread and inflatable dunnage bag; 48 x 84 inches x variable depth

Image credit: Pongsakorn Yananissorn

Installation detail, Jessica Bell, Unit 17

Softlines (landscape)**
2016
79 pairs of hand-dyed men’s, women’s and children’s dollar store socks, 1 vacuum seal storage bag
Size varies; to be packed and resealed as required
**second iteration

Image credit: Pongsakorn Yananissorn

Installation view, All things being equal., Ottawa Art Gallery

Calendar Piece
2015
Canvas, thread, grommets, seven inflatable poly-woven dunnage bags, common nails
45 x 195 inches x variable depth

Folly (pressure)
2015
Ink and graphite on canvas, thread, Velcro, inflatable poly-woven dunnage bag
48 x 48 inches x variable depth

Painting of a plinth
2015
Ink on canvas, thread, Velcro, inflatable poly-woven dunnage bag
30 x 36 x 18 inches

Installation view, All things being equal., Ottawa Art Gallery

Installation of assorted follies: inflated, rolled, heaped, hung and fixed in plaster

Life and times (series)
2015
Five framed inkjet prints on paper
30 x 20 x 2 inches each

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (premonition)

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (Babel)

Installation detail, All things being equal., Ottawa Art Gallery

Life and times (Sisyphus)

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